saerwenindahouse:

The score never lies…

I love the s4 score because it is beautiful and basically confirms M-Theory in the best possible way.

I’m talking about that one scene where John flirts with “E” on the bus in TST. Now, the melody that is playing (TST score; chapter “59 Missed Calls”; 0:46) is interesting because you get a version of MORIARTY’S THEME out of this.

Moriarty‘s theme: d# f# f g# .

The (let’s call it) “E”-theme: a# g f g# .

If you transpose it becomes: g# f d# f# .

Let’s put these notes together: d# f# f g# (g#) f d# f# .

As you can see, it looks like the melody is being “continued” by the “E”-theme.

So, the melodies aren’t the same but they share the same “content”.

That shows us A LOT. Let’s get from the score to the actual scene..

“E“ is a Mary mirror (I wrote a meta about that here), even though “E” is later to be revealed as Eurus, a Moriarty mirror.

(It you have no idea why I think that, here is a picture that might help:)

“E” has got the Moriarty theme but not, since it is a different version.

So, “E” is not exactly Moriarty but still has the same “content”, the same intentions as our mad villain.

“E” and therefore Mary is working for Moriarty.

And what exactly is she doing? Seducing John.

David Arnold, Micheal Price, I love you!

But let me hear what you think about all this: @sarahthecoat @gosherlocked